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I jumped on the mainstage bandwagon when I saw that price... all those effects and instruments for $30 is hard to beat. Plus, I can keep all my Bidule patches and run them in the Bidule AU within mainstage, so nothing is lost, better effects are gained... However, I'm having a hard time with the user interface... I'll have to read through the manual. I'm used to cabling little boxes together, but it looks like I'll have to understand how a mixer works. I want the audio in to go to my bidule AU and from there to my effect patches. So I think this means I need a strip at concert level with bidule so that it shows up in every patch. I haven't had much time to play with it, and it doesn't look like it's gonna happen before Christmas... Sylvain On Sat, Dec 10, 2011 at 12:22 PM, Todd Matthews <gtmatthews@gmail.com> wrote: > I know, I know, and that's the only way I've ever played live gigs. > Ableton > with dummy clips. Although my last gig this past summer I had a complete > audio spaz out that hopefully didn't do too much damage to the audiences > ears:( > > That sparked my retreat once again from using computer live. > > Now that there's been updates to Softstep, Mainstage, Ableton, and even > RME > driver I thought it was time to try again. > > I will be testing out Mainstage and LIve again to see which works best > for > me. > > > > On Dec 10, 2011, at 11:17 AM, todd reynolds wrote: > > Wait... I do this with the effects chain in Live's Audio Effects rack all > the time using the chain selector, overlapping delays and all... > > On Sat, Dec 10, 2011 at 11:15 AM, Raül Bonell <raul.bonell@gmail.com> > wrote: >> >> 2011/12/10, Todd Matthews <gtmatthews@gmail.com>: >> >> > I'm with you Per. I can't wait for the day that there is a CPU >> > efficient >> > software that lets you easily switch between effects patches with a >> > midi >> > command and send those into Mobius/Sooperlooper. Only the effects >> > patch >> > currently used is using CPU. Allows tails to finish from previous >> > effects >> > patches….. >> >> well, plogue bidule does exactly that, several versions ago. >> >> -- >> >> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-..-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-. >> Your moral values are meaningless, artificial constructs. For your >> imagination, >> they provide you a falsely superior position in your social group. >> For the strong, they provide a means by which you are easily >> manipulated. >> In reality, they serve the entertainment needs of others. >> In the Kimatorium, they are irrelevant. >> >> Kim Flint >> .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-. >> raulbonell.tumblr.com - collective.com >> > > > > -- > ==================================== > • The Best Classical Music of the Year, 2011 - Amazon.com > > • Outerborough, Todd Reynolds' solo double CD is now available wherever > music is sold. Here's a direct link to Amazon, however! > > ======================== > http://toddreynolds.com > http://twitter.com/digifiddler > http://myspace.com/toddreynoldsmusic > http://blog.toddreynolds.com > http://facebook.com/toddreynolds > http://reverbnation.com/toddreynolds > > > > > -------------------- > Todd Matthews > toddbass.com > twitter: gtodd876 >