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On 7/22/64 11:59 AM, David Gans wrote:
I record all my gigs at 96-24. Better to archive, and better to produce, in high-res and downsample at the last stage.
What I've always wondered: Does a recording at 96-24 downsampled to 44-16 sound better than a recording sampled only at 44-16, initially. And if so, what's the logic?Daniel Thomas once explained the answer to me a long time ago, but I have completely forgotten what
he told me. Please forgive the brain fart. Rick Walker