Re: OT: final mixing and mastering of film score....hints?

[andy butler <akbutler@tiscali.co.uk>]

> On 7/22/64 11:59 AM, Per Boysen wrote:

> > you might want to make the stereo perspective extreme, because there
> > may come sync sound and dialog in the middle. There are plugins to
> > broaden or narrow a stereo image but you can do it manually as well
> > (with better control) by setting up this routing matrix: Clone the
> > signal into three channels. Revers stereo image for channel one, phase
> > invert and lower the level a tiny bit for channel two and make channel
> > three mono. Now, these three channels is your tool to achieve all
> > kinds of stereo perspective, from the broadest that sounds wider than
> > physical speaker positions to a punchy and focused up-your-face mix,
> > and you get full mono compatibility in the package. The process also
> > opens up for tricks like processing different parts of the stereo
> > image differently (level balancing, EQ, compression).

hi Per,
any chance you can put that into equations?
In English, I can't even work out how you'd mix the 3
"channels" to regain the original mix.
(or is that the point?)
andy