Re: OT: final mixing and mastering of film score....hints?

[Per Boysen <perboysen@gmail.com>]

IMHO there is always a grid. You just need to find it. Even one single
note played/sung has a tempo. Improvisation, my main interest, is all
about following the grid (the inner grid that is, the one that usually
syncs to like minded you play along with). If she isn't a totally
wanna-be weirdo she has a grid. Swans are griddy imo. Grid isn't equal
to "fixed tempo". Grid is just a technical implication of FLOW.

Per



On Mon, Feb 13, 2012 at 5:07 PM, mark francombe <markfrancombe@gmail.com> 
wrote:
> Thanks again Per, you really are earning your nick name...
>
> Have to say though... I wish..
>
> In this, the actress is not a good singer, interesting maybe, Ive
> worked with her on NinJam, but here she sings and plays a pink bass...
> its very slow and goth for a bit, like a swans track, then she
> suddenly goes totally wild, im not sure what she is trying to do
> really, and im not sure she does either... its gonna be...
> interesting. gonna play with the grid for a bit, but you know... I
> might go gridless!!! Remember playing In time??? No quantise in
> 1988!!!
>
>
> mark
>
> On 13 Feb 2012, at 16:29, Per Boysen <perboysen@gmail.com> wrote:
>
>> I never got to comment on the last task, the about making music to an
>> acapella voice recording.
>