instrument > effects >> III(A) >> III(B) >> 2 amps or 2 PA channels [ > = mono, >> = stereo ]There is one issue with this arrangement. When loops are playing on III(A) and loops are recorded on III(B), the III(A) loops will be recorded as part of the III(B) loops. Because of this, a better solution might be to use merge adapters or a small mixer to combine the signals from the two loopers.
... >> III(A) >> mixer channels 1 and 2 ... >> III(B) >> mixer channels 3 and 4 mixer main outs >> 2 amps or 2 PA channels On 28-Oct-13 6:08 PM, David Lamkins wrote:
IIUC, the audio paths remain completely independent in brother sync. Is that right? No modes
that involve some magic with daisy-chained audio connections that'd give me a single stereo in/out using sync'd `Rang IIIs...? -- Mike Nelson Secretary/Treasurer, Boomerang Management, Inc. General Partner of Boomerang Musical Products, Ltd. ---------- "Some products make you sound better; Boomerang(R) Phrase Samplers makes you play better." ---------- 1-800-530-4699 * 1-817-421-2762, Outside USA * 1-817-251-8509, Fax http://www.boomerangmusic.com Contact for repairs: Lee Hardesty 1516 Victoria Drive Denton, TX 76209 email@example.com 940-382-3253 Billing Address: Boomerang Musical Products, Ltd. PO Box 3788 Grapevine, TX 76099-3788