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Andre: >Try this: Stop listening to Fripp and check out a very very different area >of music. That sounds (and reads) a lot more harsh than it's really >intended, but I've always found that the best way to let an influence >assimilate into my collective unconscious, rather than sound like the >musical equivalent of a bad photocopy, is to get what I can from someone's >work and then go someplace very different. yeah, you're probably right. > So the moralof today's lesson: If you already sound more like Fripp > than you want to, don't buy a Fernandes! I've already got one. <g> I've been using it for 2 years and it's a wonderful device. You can do things with it that Fripp hasn't done yet! Michael Peters private: mpeters@compuserve.com work: mp@harold-scholz.de http://ourworld.compuserve.com/homepages/mpeters (Never whistle while you pee)