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Re: Creative doldrums I've read a lot of these entries with a great deal of interest. Personally, I'm not sure why a lover of music would want to be 'influence-less'. It seems to me that that would create more doldrums than it would remedy. I play professionally so giving it up for a year ain't an option, but as far as listening I think there can be too much emphasis placed on 1) why you listen to certain things and 2) what, specifically, you are to take from them for your own music. I thinks it's important to think of other music as something you love to hear and make no other demands on it. Let it work its magic on you. If it starts coming out heavily in your own work, let it. I think it's healthier to work through it than deny it. If you obsess about not sounding like Fripp, he's still got the grip on you, see? The key is to love but not yearn to possess. In music as in life, an important thing to try to learn... Personally, I would much rather hear someone play the 12-bar blues on acoustic guitar that really loves it rather than some guy with an arsenal of gear and all the looping savvy in the world who sounds like he doesn't love anything but himself. I think self-examination s very important for anyone, but it's very easy to fall into a trap of self-obsession. In many ways, I think it's a fallacy to "look" for your individuality. You already have it, just as you have a sense of community also. I think the key is to get out of the way and allow them both to do what they need to do. And what do we "do" in the meantime? I dunno...maybe, try to appreciate what we love and forgive what we don't. Just MHO, of course. There are as many answers to this as there are individuals. On a completely unrelated technical note, for seekers of the oft-sought TC Electronics Sustain/Para EQ pedal that have been unable to find one, I have some potentially encouraging news. I visited the TC booth at NAMM over the weekend and was introduced to another Danish company they've become affiliated with (exactly how the affiliation extends, I'm not sure, i.e., it might be just for marketing purposes) called Carl Martin. CM makes a compressor/Limiter pedal that is apparently modeled *somewhat* upon the old TC pedal. I didn't get to play it myself, so I don't want it to sound like too informed an endorsement, but I did listen to them demo it and I think it's definitely worth trying out when they start appearing at retailers (NAMM was their American debut - they said they should be out and around "very soon"). Cheers, Ken R