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Ok, I'm replying to myself here, but... I've seen from msgs in other threads that others of you have similar equipment issues. How do you work around the mono-in/stereo-out problem in your rigs? How about the level mismatch issues? Of course, I suppose the ultimate answer is to buy better gear (which consistantly has stereo in/outs and runs at LINE level), but I see a lot of MI/prosumer type gear in the "key gear" lists you've sent around, so I'm sure many of you have fought these battles already. I guess adding a mixer would help to fix the level and interface problems. That way an aux send could go to each efx unit (at the level the device wants, returning at the level it returns at). This would give you more control over what's routed where. This would come at the expense of a lot more complexity and more weight (always a consideration as I get older). Greg --- Greg House <ghunicycle@yahoo.com> wrote: > The GP-16 is mono-in/stereo-out, which means it has to go first in > the > chain, but I don't want it first because it does things like reverbs > and delays, which I want later on. > The Vortex has some interesting sounds, but it's not really designed > to work at line level, which messes up the Repeater, which wants line > level. __________________________________________________ Do You Yahoo!? Yahoo! Tax Center - online filing with TurboTax http://taxes.yahoo.com/