Support |
On Mon, Jul 21, 2008 at 3:56 PM, Krispen Hartung <khartung@cableone.net> wrote: > So, let's say hypothetically a major catastrophe occurred in the next 2-3 > decades, and power became non-existent (unlikely) or highly scarce. For > example, suppose we all had to rely on solar panels and wind power, and > powering an amp and looper was a complete luxury and out of the question. > What would you do? I would go back to acoustic playing and form groups of like minded people to perform each other's compositions. From what I have learned by live-looping I can easily direct three to four people in how to play cool looping contrapunctual stuff as an ensemble. Imagine, just thinking in terms of "loop rate shifting" is an ultra cool composition tool! ;-) I was recently talking to Elliott Sharp when he played here at STockholm New Music Festival and he told me his charts have parts where the performers are urged to chose one out of many suggested parts to loop at any preferred loop length. In the piece this occur simultaneously for each player and it makes for a sort of "multi timbral random script". LOL!!! Once I turned to amplified playing because I was lazy ("goddammit, two more people missing for rehearsal today... better turn on the looper and terrorize just myself to get this finished") and now I often find that I turn to acoustic playing for the same reason... (ooh... don't say I have to pull over and push that "ON" button again...) -- Greetings from Sweden Per Boysen www.boysen.se (Swedish) www.looproom.com (international) www.myspace.com/perboysen