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On Mon, Aug 31, 2009 at 9:56 AM, Gareth Whittock<buddhamachine@live.co.uk> wrote: > I hate playing without a structure He, he... and I have sometimes been thinking that I maybe hear too much structures in plain noise. ;-)) But, seriously: to my surprise, when being lucky to team up with just as "introvert" co-improvisers it has turned out the audience have also "heard" the same structures - so I guess it can't be total imagination. Have you noticed that there is a structure to silence as well? Somehow I think it is not so much about talent but rather about trust and attitude. If you trust in the process it will reward you. But if you just feed a fraction of disbelief in your mind the music will not reveal a structure for you to play with. Another wonderful aspect is that if you do not try hard, a lot of elements will fall into the right places. It really is the power of non-strength. A trick to get into this is to not play the structures you hear right off the shelf; you should rather play around them, play comments and fun variations of the structures. Then new structures will emanate and the process will continues. Greetings from Sweden Per Boysen www.boysen.se www.perboysen.com