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Re: Sonuus anyone?

I think a July release was mentioned in one of the NAMM videos but I'm not sure. I've also read that, if this product is successful, there may be others added to the line. All the technology is there, it just depends on demand. I'd like something compatible with piezo pickups, personally.

--On 11 June 2012 11:33 +0200 Per Boysen <perboysen@gmail.com> wrote:

Yes, I have seen some demonstation videos of the Triple Play, used
with a guitar. Seems interesting. Has very fast triggering and
wireless. Does it ship yet? I have not been able to find any price


On Mon, Jun 11, 2012 at 10:46 AM, Philip Conway
<Philip.Conway@bristol.ac.uk> wrote:
The company Fishman supposedly have a new wireless midi guitar device
coming out this year called the Triple Play.  It's designed by the same
guy that designed the Axon boxes.


Apparently it's physically impossible to decrease the latency the Axons
have simply because the string has to be vibrating for a certain period
of time in order to produce enough information to determine pitch.
 However, the tracking is supposed to be better.  And it's tiny!


--On 10 June 2012 15:52 +0200 Per Boysen <perboysen@gmail.com> wrote:

On Sun, Jun 10, 2012 at 3:15 PM, andy butler <akbutler@tiscali.co.uk>

Hi Per,
afaik Midi pitch bend is essential for really good tracking.
Sometimes the note picked is out by a semitone, and an immediate Pitch
bend compensates.
..well it happens with the fast tracking Axon like that.

The Axon is know for the fastest tracking. But I still chose to go
with synths that do not follow the guitar too close (i.e. pitch bend
turned off, synth working in chromatic mode). Not only for the
esthetic reason already mentioned (rather using synths *behind* string
sound to complement and enhance string sound) but also because I like
to apply an arpeggiator between the guitar/stick generated MIDI and
the synth. And I don't like the rapid arpeggio to follow pitch-bend in
a melody played over the arpeggio.

Maybe this approach comes from beginning with "MIDI guitar" in the
late eighties when the Casio MG502 was introduced (still got mine!!!)
and the speed of triggering was very, very slow back then so only the
put-synth-pad-behind-string-sound application made any musical sense.

I can say that from my recent experience with the GR-55 I actually
enjoy playing GR-55 synth sounds that follow pitchbend and use it more
to blend with the string sound into a unified sound (rather than as a
complement). But for me it never reaches the same playability and
expressiveness as the pure string sound (or as if using an EWI as the
hands-on instrument).

Greetings from Sweden

Per Boysen