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Hi everyone, For one, I'm thankful that Fripp has chosen to limit his Soundscapes to the dimensions he has so far. His genius is such that he always leaves room for those he influences to make their own personal statements. If you look at the catalog of British prog-rock groups that developed from former members of KC, plus other groups or soloists he has touched through the Guitar Craft (like the California Guitar Trio). I don't see Fripps major role in modern music as that of a virtuoso performer (although he certainly qualifies as such). His main contribution is breaking down barriers or opening up new horizons and then stepping aside as others, inspired by the vistas he has revealed, blaze new trails of their own. The really amazing thing to me is his openness to what can only be termed as "revelation." His process of patiently waiting for the future to reveal itself to him (as in the double trio concept, or Frippertronics) enables him to tap inspirations that transcend technical abilities and perceived limitations of the guitar as an instrument. In my own music, as in much of the music the guitarists here perform, all owe a debt to RF's visions. But thankfully, he left much unsaid in the musical sense, leaving room for me and others to explore the alleyways of the paths he paved. Greg West/Six-String Arts P.S. If you haven't already, visit the SSA websites at http://users.aol.com/GregWest01/index.html