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On Thu, Mar 3, 2011 at 3:28 PM, Per Boysen <perboysen@gmail.com> wrote: > Hook up with some "extreme soloist jazz" guy! When looping it becomes > such an inspiring thing to simply provide a steady stream of backing > chords for a monophonic cat to climb around. To both loop and handle > the lead/melody function can indeed be a bit overwhelming for one > single musician - funnily that was the reason I got into Stick > playing; to get away from the need for looping and be able to do more > instant bass-chords-melody instant impro in a solo concert setup. Gotcha. I have my eye on a really nice tenor sax player -in Cuba right now. We've talked about a duo CD. I love that one with Bill Frisell and Joe Lovano & Paul Motian. I guess my ideal is the way Frisell can get into and out of a loop so easily (and thus, get through a set of changes). It never sounds like it's 'looping for looping's sake'. It's always in the service of the musical idea first. k > > Per > >