Support |
For me, the first piece of gear I got truly obsessed with was the Minimoog. In 6th grade, our band director, who played keys in a local rock band and was the coolest guy in eastern Oregon (yeah, I know, not much competition) brought his in to demonstrate to the class. I was hooked. A few years later, the local music store had a new one in stock for a long time. The store was a few blocks from the Jr. High, and I spent a lot of lunches playing with it. I think they wanted $2000 for it, which was an unbelievably unattainable sum for me at the time. I eventually got a Moog Satellite in High School, and a bit later, an ARP Axxe. Still have the Axxe, though it needs a bunch of work. A few years ago, after a particularly grueling but lucrative gig, I rewarded myself with a Minimoog. It really is one of the most playable synths ever. Whenever anyone comes into the studio, it's inevitable the instrument they are first drawn to. > Following loosely along with the comments about earlier instruments > purchased at 60's/70's/et al prices, I remember two pieces of gear I fell > in > love with in the display window of Lomakin's Music in Pittsburgh, PA: a > Vox > guitar-organ and an original Maestro Echoplex. I ended up getting a bogus > echoplex (don't remember the brand) but it worked okay for its day. I > think > my nephew still has it (along with my first guitar, a Harmony electric). >I > used to power the ax with a Bogen Challenger power amp through a speaker > that was either blown or defective but made a distorted sound similar to > Eric Braun's from the Iron Butterfly. > > The Kahuna > > >