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On Thu, Jan 1, 2015 at 7:46 PM, andy butler <akbutler@tiscali.co.uk> wrote: > Totally agreed, the EDP style Multiply is what I'd use most of the time. I too use the traditional real-time Multiply a lot. It's nice to play along and add the new longer layer live. But I do use Instant Multiply (or Instant Divide) in two specific scenarios: 1) If I want to do "phasing" (as used by Stever Rreich in early compositions It's Gonna Rain and Come Out) 2) If I want to quickly set up a poly rhythmic groove; make one loop, go to new track and make a complementary loop of a different length so accents will "wander through the groove" as both loop repeat. I may combine 4 vs 3 or 3 vs 4 most of the time. Ops.. there is also 3) For variation. Make one loop, multiply it by 3, set Secondary Feedback to zero and cut in a few notes to come out just a bit differently than the previous two rounds. I have found 3 to be the most useful repetition frequency for re-appearing variations. Just another 2-cent-ish rambling... Greetings from Sweden Per Boysen www.perboysen.com http://www.youtube.com/perboysen